Monday, October 1, 2007
Warren Ellis breaks many of what I considered to be the rules of modern, commercial writing and I think he likes it that way.
My first exposure to his work was in the pages of superhero
comic books such as The Authority and Planetary. Ok, there's a
pigeon-hole. Problem is, there are more. He's also written the hybrid
tale, Transmetropolitan, which is a darkly comedic and highly cynical
near-future tale of a suspiciously Hunter S. Thompson-like
gonzo journalist. Well, that certainly pegs him as the run-of-the-mill
black-and-white comics writer, except for the fact that
Transmetropolitan is from Time Warner's DC Comics' Vertigo line... not
exactly the niche one would expect.
Outside of comics, Ellis has collaborated on a never-aired TV
series called Global Frequency which was based on his science fiction
graphic novels of the same name. His first effort in the world of
historical fiction was the graphic novel, Crecy, which traces the
events of the battle of Crecy which, along with two other battles,
established the supremacy of the English Longbow in medieval warfare.
As you can see, tracking down what it is that Warren Ellis
writes about is a little difficult. There are, however, many common
themes and he has a style which invites comparisons to some of the
greats of the New Wave science fiction
of the 1960s, especially with respect to Harlan Ellison's acerbic wit.
Vulgarity, unorthodox sexuality and violence are often interspersed
with an analysis of the human condition that borders on the post-modern
but isn't quite introspective enough to become lost in its own
deconstructive naval-gazing. He's also prone to the abuse of
pop-cultural cliché in unexpected settings. His series, Planetary, for
example is something like The X-Files in a world of super-heroes and
mad science, but every issue is written as if it were the story that
immediately follows a film or comic of some other genre. There is the
issue about giant monsters on a Japanese island, now all dead. There's
an issue about two cops that could have come straight out of any of a
dozen action films from Hong Kong in the 1990s, but one of them has
died and become a vengeful ghost. You get the idea. It's the story you
don't hear after an otherwise interesting genre story.